But once they started using it to misrepresent scenes altogether with footage that was a direct lie, it stopped being clever and felt manipulative; they lost meaning when I could only start counting them as fantasy sequences. This series is a standout among rom-coms for its fresh take on contemporary romance, its flawed characters who were allowed to remain flawed, and the lovely sense of humor that the writer and director shared—there was a cohesion in the writing and directing that was palpable, in that we were made to feel all of the right beats in all the right ways, which is actually rare. I haven't loved a female lead in a long time the way I loved Jang Mi. It's a cute, cheerful OST overall. In fact I loved the growth of every character in this drama. I think Ki Tae's mom's character was the most interesting. Before, their quirks and hangups were holding them back, but they learned to take those qualities in themselves and use them in a positive way instead of letting the personality trait be in control. She tells Dad to take responsibility for his love, and find fulfillment. The only concern is that she will lose that breast, but Ki-tae tells Jang-mi not to worry, since he knows a great doctor. Both the families were great. The plot was very interesting throughout.
She tells Dad to take responsibility for his love, and find fulfillment. Ki-tae and Jang-mi enjoy a candlelit bubble bath together the night before their wedding. Before, their quirks and hangups were holding them back, but they learned to take those qualities in themselves and use them in a positive way instead of letting the personality trait be in control. Ki-tae greets the wedding guests and gets glomped by an overly-enthusiastic Hoon-dong, cute where he and his mother are grilled by the female family members over her divorce and his not inviting his father. So he decides to make Jang Mi his fake girlfriend as he knows his family would never approve of her as their daughter-in-law. Jang-mi argues that the forecast predicted it would clear up, and the bride gets her way so the umbrellas come down. The series was at its best early on, when the humor crackled and the couple was forced to act loving on the surface while antagonism brewed underneath. If her parents get back together, Jang-mi has to marry him. In fact, I loved those cliches too. Yeo-reum escorts Jang-mi to her waiting room, and Ki-tae overhears him say something about wiring money and gets suspicious. He reclaims them and they adorably tickle-hug-wrestle for possession of the envelope. She says sadly that their bet is over since her parents will never see eye-to-eye, but Ki-tae still has hope. Ki-tae suggests they go see her father, since they now have his address. The funniest ride starts right there at their first meeting. Ki Tae was great. She sighs at all the other ladies who have husbands, boyfriends, and sons to support them, but pretends disinterest when her own husband shows up. She tells Mom that Ki-tae thinks of those as his happiest days, but Mom remembers them as lazy days. Jang-mi tells Ki-tae he looked like a wet rat the first time she saw him from his date that threw water on him , but agrees that he looked so sexy that she threw the juice on him later just to see him all wet and sexy again. The plot was very interesting throughout. I mean, don't get me wrong, there were some kdrama cliches in Marriage Not Dating but nothing was overbearing. This goes for the parents as well as the leads, because none of them really changed dramatically; they only learned to accept themselves and take responsibility for their own happiness. This series is a standout among rom-coms for its fresh take on contemporary romance, its flawed characters who were allowed to remain flawed, and the lovely sense of humor that the writer and director shared—there was a cohesion in the writing and directing that was palpable, in that we were made to feel all of the right beats in all the right ways, which is actually rare. But Ki-tae is sure her parents will make up, and even bets on it: I didn't care much for second leads, which was pretty much a bonus because I hate having second lead syndrome. A passing fisherman picks up the envelope when Ki-tae drops it, and says he knows the man who wrote it, and that he was heading to Seoul today to close his chicken restaurant.
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